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Painterly perspective and pietyJohn F. Moffitt

Painterly perspective and piety

John F. Moffitt · 2008

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Sinopse

"The Renaissance is perceived to be a secular movement, the majority of artworks were from ecclesiastical commissions. Because of the nature of basilica-plan churches, a parishioner's view was directed by diminishing parallel lines formed by walls of the structure. Appearing to converge upon a mutual point, this resulted in an artistic phenomenon known as the vanishing point"--Provided by publisher.

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